a round up of notable activity
The King of the Golden River will be performed by Richard Edgar Wilson and the Coull Quartet at the Royal Academy in London In February 2019 as part of the Ruskin bi-centenary celebrations, together with some newly-commissioned settings of Ruskin song sketches.
In 2018, Sarah will be curating and editing a collection of new work for clarinet by a younger generation of women composers. The collection has been commissioned by publishers, Stainer&Bell.
A commission for the Paston Papers project sees Sarah creating a pocket oratorio on the writing of Agnes Paston for the Orchestra of the Age of Enlightenment to be performed on July 1st 2018 in the Paston Church, St. Nicholas of North Walsham, Norfolk. Follow Sarah’s blog on the Orchestras Live website
Sarah has been commissioned by UK ensemble, Piano40 to write a new work for 8 hands 2 pianos. Labyrinths will be premiered at their Purcell Room recital on Monday 21st May 2018. FIND OUT MORE
The King of the Golden River for tenor and string quartet was performed at the Scarab Club in Detroit in May 2016 by Drake Danzler.
Skylark for pedal and non-pedal harp, composed in 2012 was published by Stainer & Bell in the Spring of 2016.
Bega’s Ballad (doublebass), Spanish Sonata (clarinet) Surfing (alto saxophone) Interactive (alto saxophone) are all on current Associate Board or Trinity Guildhall examination syllabuses.
Contemporary ensemble, Sounds Positive, performed Ramayana at The Warehouse, London on 29 May 2011.
In 2010, Sarah made a programme for German television about her Purcell heritage.
Sarah has contributed a setting of See Amid the Winter’s Snow to the OUP’s new edition of Flexible Carols, published in 2009.
Sarah’s setting of Matthew Arnold’s poem Dover Beach, for Chorus (SSATB), String Quartet and Harp received its first performance at St Augustine’s Highbury on Saturday March 15th 2008 and was performed a second time as part of the Choir’s summer season on 4th July 2009.