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Events Tag: psappha ensemble

Psappha – Bosnian Voices

Date:
Categories: Concerts, New Work, Song
Tags: bosnian voices, psappha ensemble, st michaels manchester

Thursday 2 May, 7.30pm at St Michael’s Manchester

Psappha Ensemble
Programme

Anthony Burgess Cello Sonata ‘for the dead 1939-45’
Arnold Schoenberg Ode to Napoleon Bonaparte
David T Little and the sky was still there
Tim Wright The Bridge
Nigel Osborne Bosnian Voices

Mark Heron conductor
Jessica Gillingwater mezzo soprano
Richard Suart speaker

“And I heard a voice that said to me: If you care about the state of your soul, if you care about anything at all, if you want to continue to be a good person: Get out.” David T Little’s and the sky was still there with a film by R. Luke DuBois challenges the US army’s controversial ‘Don’t Ask, Don’t Tell’ policy towards gay and lesbian soldiers.

The war in Bosnia ended nearly a quarter of a century ago, with the tragedy of Srebrenica. Influenced by the chiming of church bells and the Muslim call to prayer, Nigel Osborne’s Bosnian Voices is a set of songs written by ordinary Bosnians – children and adults – about their lives then and now.

Tim Wright’s sparse and tense music for a 1929 silent film by Charles Vidor tells the dramatic story of a spy sentenced to be hanged from a bridge.

Two giants of the twentieth century react to the atrocities of the second world war. Schoenberg takes his inspiration from the poetry of Byron, and writer Anthony Burgess turns to music in his heart-felt for the dead 1939-45.

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Psappha perform Panopticon

Date:
Categories: Concerts, Experimental, New Work
Tags: david fennessy, Hull City Hall, psappha ensemble

Sunday July 14th 2019, 4:00pm, Mortimer Suite, Hull City Hall
psappha panopticon
Programme

David Fennessy – Panopticon

Event information
The 17-minute piece is performed twice, with a short Q&A session with the composer between the performances.

Overview
The cimbalom governs the string ensemble in a new work by David Fennessy, performed by Psappha. Every attack on the string of the instrument has a consequence on the rest of the players. Each beat triggers a ripple, much like a stone dropped into a still lake, which eventually reaches the strings: they reflect and magnify its effects. The cimbalom also governs pulse and dynamic and, through its careful exploration of the natural harmonics available on its lowest string, plots the entire course of the piece. The word ‘panopticon’ is usually associated with an 18th-century design concept for a circular prison. Cells were arranged around a central well, from which prisoners could be observed at all times.

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