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Events Tag: kings place

Two Piano Gala Feat at the London Piano Festival

Date:
Categories: Concerts, New Work
Tags: kings place, london piano festival, nico muhly, two pianos in concert

London Piano Festival Logo

London Piano Festival Saturday 8th October, 7.00pm

Tonight’s concert brings together a wonderful group of pianist friends and colleagues to explore the riches, complexities and joys of music for two pianos.

The works chosen are almost exclusively from the 20th Century and include two French orchestral masterpieces in their initial, pianistically-revealing versions. A number of rarities are present including the extraordinary Fantasia Contrappuntistica by Busoni, a true homage to the works of JS Bach and a piece greatly admired and recorded by Alfred Brendel at the beginning of his career.

Rachmaninoff’s early Suite No. 1 is, by turns, hauntingly Russian, quasi Wagnerian and strikingly minimalist in its evocation of ecstatic passion, obsessional grief and the clangorous sounds of Orthodox Easter festivities.

The third part of the concert is designed to add a fun, extended encore-like atmosphere to the proceedings with Nico Muhly’s Fast Patterns, receiving its World Premiere. This will be followed by the Roaring Twenties excitement of Milhaud’s Le Boeuf sur le Toit, a selection of sultry Piazzola Tangos and will finish with the evergreen melodies of Gershwin’s opera Porgy & Bess recreated for two pianos by the Australian virtuoso Percy Grainger.

Stephen Kovacevich
Katya Apekisheva
Ronan O’Hora
Charles Owen
Martin Roscoe
Kathryn Stott
Ashley Wass

Busoni Fantasia contrappuntistica (O’Hora & Roscoe)
Debussy Lindaraja; Prélude à l’apres-midi d’un faune (Kovacevich & Owen)
Rachmaninoff Suite No. 1 (Owen & Apekisheva)
Ravel La Valse (O’Hora & Wass)
Nico Muhly Fast Patterns* (Owen & Apekisheva)

Milhaud Le Boeuf sur le Toit (Apekisheva & Wass)
Piazzolla Tangos (Stott & Wass)
Grainger Fantasy on Gershwin’s ‘Porgy & Bess’ (Stott & Roscoe)

*World Premiere

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Julian Joseph in Concert at the London Piano Festival

Date:
Categories: Concerts, New Work
Tags: jazz, julian joseph, kings place, london piano festival, new compositions

julian-joseph

Saturday 9th October at 2.00pm – Hall 1

Hailed as one of the finest pianists to emerge from this side of the Atlantic, Julian Joseph has performed extensively for over two decades, firmly establishing himself as a towering figure in the contemporary jazz world. Equally admired for his electrifying piano playing and extensive compositions, he is also a respected bandleader, inspirational collaborator and an engaging broadcaster; in essence a true champion of music.

Drawing inspiration from the classical as well as the rock and pop worlds, Julian Joseph considers all influences essential to his music making, His own challenging and innovative works are deeply rooted in the jazz tradition and reveal his unique voice combined with those of his predecessors.

For the London Piano Festival’s closing concert, Julian will create a unique mixture of pieces to include a selection of his own compositions linked with many well-loved jazz standards by Gershwin, Ellington and Porter. All of these will be announced from the stage.

‘The London pianist Julian Joseph’s music unfolds as a dramatic narrative with each twist and subplot marked by a stab, riff or unexpected change of key. The foundations are solid; clear melodies and strong harmonic structures’ Financial Times, February 2015

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The Hermes experiment at Kings Place

Date:
Categories: Concerts, New Work
Tags: kings place, the hermes experiment, timothy salter

Thursday 16th February, Kings Place, Hall 2 at 8.00pm
The Hermes Experiment
Concert includes first performance of a new work by Timothy Salter, The blood-dimmed tide, for voice, clarinet, harp and double bass, commissioned by The Hermes Experiment. The text, poetic extracts interspersed with political and philosophical statements, relates to the subject of revolution, and the work will be performed in a concert of music that commemorates the centenary of 1917.

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Haydn’s Creation with Orchestra of the Age of Enlightenment

Date:
Categories: Choral, Concerts, Festivals, Period instruments
Tags: haydn creation, kings place, oae, period performance

Saturday 6th January 2018 at 7.30pm, Kings Place, London

Ádám Fischer conductor
Charlotte Beament soprano
James Way tenor
Dingle Yandell bass

Make Haydn’s Creation your first concert of 2018 with this intimate New Year performance at Kings Place.

Haydn’s oratorio The Creation is not only one of the composer’s most popular pieces, but is also one of the most vividly descriptive pieces of classical music there is. Each aspect of the story is brilliantly brought to life by Haydn’s expressive music.

Ádám Fischer conducts the Orchestra, with the Choir of the Age of Enlightenment and a trio of soloists from the Rising Stars programme. Kicking off Kings Place’s new Time Unwrapped series, it’s a wonderful way to start the new year.

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OAE play Bach at Kings Place

Date:
Categories: Choral, Concerts, Period instruments
Tags: bach, kings place, oae

Sunday 14th January 2018 at 11.30am, Kings Place, London

Bach Lobe den Herrn, meine Seele (Praise the Lord, my soul)

Steven Devine director
Charlotte Beament soprano
Nicholas Pritchard tenor
James Newby bass
Professor Helen F Gleeson guest scientist

Time and Vision

There’s a focus on time as this Sunday morning series helps launch Kings Place’s Time Unwrapped programme.

Joining the OAE is experimental physicist Professor Helen Gleeson, whose work explores how the structures of very tiny things affect things on a larger scale. She’ll be exploring issues of time and perception.

To mark the New Year, the Orchestra of the Age of Enlightenment will be performing Bach’s New Year cantata with its unusual scoring including timpani and three horns.

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Black Plays Bach Concerti

Date:
Categories: Concerts, Women musicians
Tags: bach concerti, bristol ensemble, kings place, virginia black

Thursday 18th January 2018 at 7.30pm, Kings Place, London
Virginia Black harpsichord

Haydn Symphony No. 49 in F minor La Passione
Bach Concerto No. 4 in A, BWV 1055
Mozart Divertimento in F, K138
Bach Concerto No. 1 in D minor, BWV 1052

The Bristol Ensemble
Virginia Black piano

After a dazzling international career as a virtuoso harpsichordist, Virginia Black has turned full circle and returned to her roots as a pianist. Having played the Bach concertos on the harpsichord, Virginia has now teamed with the Bristol Ensemble, known for its work with outstanding international artists and soloists, to reprise the concertos on the piano. The Bristol Ensemble will perform as a small chamber orchestra for this concert, providing the perfect foil for the piano.

The contrast between the powerful and expressive D minor concerto and the exuberant passion of the A major concerto will provide a fascinating demonstration of the power of Bach’s mastery of the concerto format. Together, they form an exquisite demonstration of Baroque ensemble music–making. The evening will also include the Bristol Ensemble playing works by Haydn, the dark hued Symphony No. 49 and Mozart’s graceful and charming Divertimento in F major.

‘Virginia Black is a communicative artist, extrovert, colourful, spontaneous but with a deep sense of poetry.’ Gramophone
‘Black’s intimate style… yields arresting results… lilting, relaxed and gorgeously inflected.’ Gramophone

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Bach, The Universe and Everything

Date:
Categories: Concerts, Experimental, Family, New Work
Tags: bach, kings place, orchestra of the age of enlightenment

Sunday 18th February at Kings Place, London, 11.30am

Steven Devine director
Ciara Hendrick alto
James Way tenor
James Newby baritone
Professor Kishan Dholakia guest scientist

Seeing Life in a New Light

Marvel at our extraordinary universe and the music of Bach with our new Sunday morning series for inquiring and curious minds, with divine music, lively conversation and stimulating science.

For this morning’s session we’re joined by Professor Kishan Dholakia from the University of St Andrew’s enticingly-named Optical Manipulation Group. A world-expert in the physics of light, he’s fascinated by how the science of photonics can use imaging to help unravel the mysteries of the brain.

Alongside Professor Dholakia’s talk, we’ll be performing one of Bach’s most varied cantatas, BWV 83. Mixing joyful arias with funereal sounds, it’s a rollercoaster journey celebrating the glories of life as well as the sadness of death.

Our very own Sunday service is a place to bond with music lovers and revel in the wonders of science. There is no better way to start a Sunday morning.

In this concert we’ll be playing Bach’s cantata Erfreute Zeit im neuen Bunde (Joyful time in the new covenant).

In partnership with the Institute of Physics.

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Bach, the Universe and Everything

Date:
Categories: Concerts, Family, Period instruments
Tags: kings place, orchestra of the age of enlightenment

Sunday 18th March at Kings Place, London, 11.30am

Steven Devine director
Ciara Hendrick alto
James Way tenor
James Newby baritone
Professor Kishan Dholakia guest scientist

Seeing Life in a New Light

Marvel at our extraordinary universe and the music of Bach with our new Sunday morning series for inquiring and curious minds, with divine music, lively conversation and stimulating science.

For this morning’s session we’re joined by Professor Kishan Dholakia from the University of St Andrew’s enticingly-named Optical Manipulation Group. A world-expert in the physics of light, he’s fascinated by how the science of photonics can use imaging to help unravel the mysteries of the brain.

Alongside Professor Dholakia’s talk, we’ll be performing one of Bach’s most varied cantatas, BWV 83. Mixing joyful arias with funereal sounds, it’s a rollercoaster journey celebrating the glories of life as well as the sadness of death.

Our very own Sunday service is a place to bond with music lovers and revel in the wonders of science. There is no better way to start a Sunday morning.

In this concert we’ll be playing Bach’s cantata Erfreute Zeit im neuen Bunde (Joyful time in the new covenant).

In partnership with the Institute of Physics.

BOOK TICKETS

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