I have known Max for years – well, about 35 years, and, albeit through intermittent contact, that is still time enough to absorb a sense of the man, the musician, the communicator.
Too often styled as an ‘enfant terrible’ of the contemporary classical music world, his compositions are, to a large extent, far from the ‘difficult’ that commentators loved carelessly and lazily to use in pejorative description or parlance of avoidance, when in truth it was rather too difficult for them to take the time and trouble of better acquaintance.
Max was ever his own person – outwardly mild and congenial, inwardly robust, opinionated, fearless and frank.
A recent interview about his 10th symphony (think how many composers never got past number 9!) had him putting his work as a composer in the ‘upper end of civilised society’. Who dares, these days, from the world of contemporary music, to make such a claim?! Good on you, Max.