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Robert Woolley info@
woolleys.org.uk |
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NEXT
PERFORMANCE - WEDNESDAY 20 FEBRUARY 2013, 1.10PM |
| FORTHCOMING AND RECENT CONCERTS | |
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Recital of music by Sweelinck Saturday, 11 August 2012 at 16:30 Performed on the 1624 Scherer organ at St Stephan's Church, Tangermunde, not far from Berlin. Sankt
Stephan Tangermünde | 39590 Tangermünde | Pfarrhof 6, Specification on
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I am looking forward very much to
giving a recital next month on the new Goetze and Gwynn organ at All
Saints church, Odiham Hampshire. It is based on early 18th century
English organs, mainly the Bernard Smith organs at St Mary Finedon in
Northamptonshire and Great St Mary's in Cambridge, and the Gerard Smith
organ at St Lawrence Whitchurch in Middlesex.
The case design is derived partly from the 1662 organ case formerly in Lincoln Cathedral (thanks to Robert Pacey who first gave us copies of the drawings of this case). The programme will include works by John Blow, Purcell, Roseingrave, Handel and Nares. The recital, part of the day organised by the British Institute of Organ Studies, is on Saturday 21 July at 11am. Admission is free (for recital only). |
| All Saints Church, 2 Church St, Odiham, Hook, Hampshire RG29 1LU | |
| Specification on http://www.goetzegwynn.co.uk/newchurch/odiham.shtml | |
| Buy tickets for this event | |
| St George's Hanover Square, George Street, London, W1S 1FX | |
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Talk by Dominic
Gwynn on the chamber organ in Georgian musical life. Organ Recital by Robert Woolley |
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The organ is based on the chamber
organs of Richard Bridge and Thomas Parker, who built the organ which belonged to Charles Jennens, the librettist of Messiah, which still exists close to its original condition. |
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The programme will include works by: Handel Thomas Roseingrave (organist of St George's 1725-1737) William Walond Maurice Greene John James Starling Goodwin and James Nares |
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Tickets:
£12 unreserved seating; students free - buy on the door and please give details of your student card. Subscription discount if booked for your use before 14 March - 3 or more concerts - see option below. You can also buy on the door from 6.15pm on the day if you haven't booked in advance. Doors open at 6.15pm. |
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Choosing
your ticket:
Please locate your login details or register if you are a new customer. Choose your seat when you arrive. General
note: Some seats that appear to
be reserved have been For
detailed booking information please go to the Booking Information page. |
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| Booking starts on Wednesday 25th of January 2012 at 10:00 AM | |
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JS
Bach: The Well Tempered Clavier Book 1 Robert Woolley, clavichord |
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Played
on a clavichord by Karin Richter copied from an anonymous unfretted
clavichord c.1730 from the |
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| MUSICAL POINTERS REVIEW | |
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J S Bach Well-Tempered
Clavier Book 1 |
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The clavichord is a demanding
instrument: to produce a good sound, one must think carefully about each
note, and play it with just the right amount of pressure. So playing 24
preludes and fugues in one afternoon is a major task requiring the
utmost concentration. It was triumphantly accomplished by Robert Woolley
on October 29 in the Quaker Meeting House. Hearing Book 1 as a whole was a revelation. The preludes are all so different, and so beautiful; and the fugues help to bind the preludes together into a single structure of alternating formal and informal pieces. Though, Bach being Bach, the formal-informal alternation is not quite regular; for example, Prelude 7 is in fact a toccata and fugue - and a substantial 4-part fugue at that - while Fugue 7 is light and scherzo-like. The different characters of the pieces were well brought out in this performance. Each musical line was clear, intelligible, and beautifully shaped, even in the complex four- and five-part fugues, and the structure of each piece was made clear by subtle pauses for breath at key points - yet the feeling of forward movement was never lost, even in the more thoughtful cantabile pieces. I particularly enjoyed the last few bars of each item; there are so many ways of approaching the end: various degrees of slowing down, perhaps followed by a crisp cadence, or going full speed to the end, to name but a few. Woolley used a great variety of approaches, always beautifully managed, making me smile every time. The Karin Richter clavichord 2009 (copied from an anonymous unfretted clavichord c.1730 from the Dresden region) sounded clear and beautiful in the wood-panelled Meeting Room, and it was an ideal medium for this music. A harpsichord can sound ravishingly beautiful, but it’s arguable that the Well-Tempered Clavier is better served by a less strongly flavoured sound. I was reminded of the old saying “with the harpsichord you listen to the instrument; with the clavichord you hear the music”. David Griffel
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British
Clavichord Society Event |
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Anonymous
clavichord from the |
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| SUNDAY 10 JULY 2011 - ST GEORGE'S SOUTHALL | |
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Robert Woolley ~ Organ ~ St George's, Southall Organ by Abraham Jordan 1723, restored by Mander Organs 2009 |
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‘The
Georgian Organ’ Music by Handel, Maurice Greene, William Boyce, Thomas Roseingrave, John
James, William Walond, Starling Goodwin.
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Sunday 10 July at 12.45pm |
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Admission
free – retiring collection St George's Church, Lancaster Road, Southall, Middx. UB1 1NP |
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Click here for more information |
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| SUNDAY 5 JUNE 2011 - CHRIST'S CHAPEL, DULWICH | |
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Robert Woolley ~ Organ ~ Christ's Chapel, Dulwich Organ by G.P.England 1760, restored by William Drake |
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The Georgian Organ Handel: Fugues, Jesu, Meine Freude, a Voluntary on a Flight of Angels, & Voluntaries by James Nares, Thomas Roseingrave & William Walond |
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Sunday 5 June at 7.45pm |
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Admission
free – retiring collection Christ's
Chapel, Gallery Road, Dulwich, London SE21
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Road map here: http://www.stbarnabasdulwich.org/map.htm |
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| WEDNESDAY 1 JUNE 2011 - ST BOTOLPH'S ALDGATE | |
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Robert
Woolley ~ Organ ~
St Botolph's, Aldgate Organ by Renatus Harris 1702, restored Goetze & Gwynn 2005-6 |
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Programme
includes: Handel:
Overture from Ottone (arr Handel), Fugues, &
Voluntaries by Boyce, Roseingrave, Starling Goodwin, Greene, |
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Wednesday 1 June at 7pm |
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Admission
free – retiring collection St
Botolph’s Aldgate, |
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Information and map on http://www.organrecitals.com/1/recitals0.php?venue=aldgate |
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Details
of the organ and recorded interviews with Dominic Gwynn about the
restoration of the organ on: |
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| The Queen's Medal for Music | |
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Dame
Emma Kirkby has been awarded the Queen’s Medal for Music for 2010. |
| Dame Emma is the sixth winner of the award which was introduced in 2005 and is made annually to an individual (or group of musicians) judged to have had a major influence on the musical life of the nation. Previous winners are Sir Charles Mackerras (2005), Bryn Terfel (2006), Professor Judith Weir (2007), Kathryn Tickell (2008) and Sir Colin Davis (2009). | |
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| Latest CD release - click here for information and sound files | |
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Sweelinck, Works for Keyboard, Volume 2 Chandos Records, CHAN 0758 Follow the link above to hear extracts from Robert Woolley's latest recording of Sweelinck, CHAN 0758 |
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RECENT REVIEWS |
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A
rich, rewarding brew of imaginative harpsichord music, expertly
played.....without forcing the pace, he shows brilliant fingerwork in
Esce Mars or a piece like the Toccata C2, and achieves clarity and
composure in the more melodically driven works. These are
pleasingly natural performances. There is not much competition
in the world of Sweelinck recordings, but this stands out as an
excellent harpsichord release in its own right. The Gramophone, June 2009 Click here for full review |
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Those who didn't splash out on Radio Netherlands' nine-disc set of Sweelinck's complete keyboard music in 2002 will be watching the development of Robert Woolley's Sweelinck series with interest. The gem of this volume is the "Paduana Lachrymae", its sharp sighs gently yet deliberately laid bare on Adlam Burnett's copy of a 1611 Ruckers muselar virginal. On this and in the grandest Toccatas and the smiling variations of "Die flichtig Nimphae", Woolley's playing is unfailingly illuminating. |
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Click here for a link to a larger image |
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| In 1604 the city organist of Amsterdam, Jan Pietersz. Sweelinck, travelled to Antwerp to order a new clavichord for the town hall from the famous Ruckers family. | |
| Shortly after its arrival, the city council asked Pieter Isaacsz to decorate the instrument. A design for the decoration was commissioned from the author and artist Karel van Mander. At the left of this 'Allegory of Amsterdam as the Centre of World Trade' is the personification of Amsterdam and beside her, Neptune. Two female figures offer her a ship and a string of pearls, symbolising navigation and wealth. She is holding her left hand over a celestial globe. A globe is a sphere representing the earth or one of the planets. A scale model globe would often be mounted on a stand to be placed on a table and turned on its axis., which two sailors at the right are consulting with nautical instruments. | |
| SIGNIFICANT EVENTS | |
| WEDNESDAY 1 JUNE 2011 - ST BOTOLPH'S ALDGATE | |
| Robert Woolley plays Handel, Boyce, Goodwin, Kendall, Nares, Walond on the Renatus Harris Organ, 1702 | |
| Click here to read concert information | |
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SATURDAY 3 OCTOBER 2009 - BRITISH INSTITUTE OF ORGAN STUDIES |
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THE GEORGIAN PARISH CHURCH ORGAN AND ITS
MUSIC |
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Programme - 11.00 Registration & Coffee 11.30 Introduction to the organ and its restoration Linda Heath, Sally Drage and Dominic Gwynn 13.00 Lunch (please specify dietary requirements below) 14.00 The world of the Georgian parish church organist Dominic Gwynn 14.30 The contribution of the organ to congregational singing and parish life in Georgian England Sally Drage (co-editor Musica Britannica vol.85 Eighteenth Century Psalmody) 15.30 Tea 16.00 Organ concert by Robert Woolley 17.00 Close |
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| St Mary & St Nicholas, Leatherhead, Surrey has an 18th Century organ by Thomas Parker (1766) recovered from the remains of the fire damaged 1873 Walker pipe organ (II/14) and restored by Goetze & Gwynn Ltd (2007). The stoplist is based on the surviving Great windchest, and the entry in the Walker shopbooks, when they moved the organ to Leatherhead in 1843. |
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Original pipework which has survived has been incorporated. The Trumpet is new, based on the surviving Parker Trumpet in the organ at St Mary's, Barnsley and Church, Spitalfields. The case is new, using the dimensions in the Walker shopbooks, and the sketch in the Sperling Notebooks, with reference to surviving contemporary cases. |
| Booking form and map etc, is on - http://www.duresme.org.uk/BIOS/Leatherhead.pdf | |
| Further details can be found on - www.goetzegwynn.co.uk/restored/leatherhead.shtml and www.parishchurch.leatherheadweb.org.uk/parkerorgan | |
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Stop Press
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| Portrait of Blow by John Riley reproduced by kind permission of Helga Blow Perera | |
"I have been working with English Heritage towards the installation of a Blue Plaque to John Blow at Beveree, his house in Hampton: English Heritage has now shortlisted this for full historical research, including a detailed investigation into Blow's surviving London addresses and their suitability for commemoration. A report will be submitted to English Heritage as soon as possible after this investigation is complete, and will be posted here. Please watch this space !" |
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| Concerts this season include: St John's Smith Square, London; The University Church, Oxford, West Horsley; Robinson College, Cambridge; Internationale Orgelwoche, Waldshut; Kingston upon Thames Parish Church; Ergue Gaberic, Gumiliau, Brittany; Flanders Festival; Dartmouth Festival; Cobbe Collection, Hatchlands Park; Dunblane Cathedral; | |
| Repertoire includes: Louis Couperin - Newly discovered and transcribed organ works Sweelinck - Fantasias, Variations, Toccatas for harpsichord and organ JS Bach - Piece d'Orgue (early version after JJ Walther) |
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| BIOGRAPHY |
| Robert Woolley is well known as a harpsichord and organ soloist, chamber musician and orchestral player: his acclaimed solo recordings include discs of harpsichord, organ and fortepiano works by Tallis, Gibbons, Byrd, Frescobaldi, Purcell, Weckmann, Bohm, Handel, Bach, Scarlatti and Seixas for EMI, Virgin, Archiv, Hyperion, and Chandos, including discs of the Partitas by J.S.Bach for Chandos. |
| He has given performances in the UK, USA, South America, Japan, Austria, France, Italy, Portugal, Belgium, Holland, Spain, Switzerland, Czechoslovakia and Hungary, and was artist-in-residence at Washington University, St.Louis. He regularly broadcasts for the BBC, and programmes have included many recordings on historic organs, harpsichords and fortepianos. |
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Recently
Robert Woolley played in the
concert series at Hatchlands, The Wallace Collection, and gave a
tercentenary recital at John Blow's house in Hampton. He has recorded
the first three discs in a complete recording of Sweelink's keyboard
music on the 17th century van Hagerbeer organ at the Pieterskerk in
Leiden. (www.pieterskerk.com),
copies by Malcolm Rose and Andrew Garlick of harpsichords by
Ludowic Theewes, a virginals by David Evans after Hans Grawels and a
muselaar by Adlam Burnett after Ruckers.
Earlier
this year he played at the Christening at Gloucester Cathedral of
Sasha Blow, the newest descendant of 17th century composer John Blow,
organist of Westminster Abbey and HM Chapel Royal, and teacher of
Henry Purcell.
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| He is professor of harpsichord,
clavichord and continuo at the Royal College of Music, London (www.rcm.ac.uk},
and also works with students privately. |
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| PURCELL QUARTET |
| Robert
Woolley co-founded the Purcell Quartet in 1984, with which he has made
many recordings for Chandos, including the complete concertos for
harpsichords by J.S.Bach. The Quartet regularly tours Europe, the USA,
South America and Japan and has played at most of the major UK and
European Festivals. They
gave a concert of Bach Cantatas in London at The Wigmore Hall on 28 July
2000, the 250th anniversary of Bach's death.
Their recording with Emma Kirkby of cantatas by
Buxtehude was released last year. |
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The Purcell Quartet celebrated twenty years music making in February 2004 at the Wigmore Hall,
with friends and collaborators. The programme included the first UK performance of a reconstruction for pedal harpsichord of J.S.Bach's Fantasia in G BWV 572 - see below. |
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| CDs | |
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ROBERT WOOLLEY WRITES ABOUT HIS FIRST SWEELINCK RECORDING |
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| The
recording of Sweelinck I made last summer has been released
by Chandos
Records. This
offers the unique recreation of Sweelinck's soundworld and was made on
the magnificent large 17th century organ built by van
Hagerbeer in the Pieterskerk, Leiden, which has recently undergone an
enormously complex restoration by Verschueren Orgelbouw back to its
original 17th century form. It is currently the largest organ in the world tuned in
meantone temperament, and has some of the earliest speaking pipes in
existence, dating from a previous instrument in the Pieterskerk built in
1446. |
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| Click here for more information on this CD | |
| Click on the icons below to hear
extracts from Robert Woolley's Chandos
Recording of Sweelinck
Buy this CD or order direct from Chandos 0701 |
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| Click here for track information and sound samples | |
| "(Robert
Woolley) rises magnificently to all the technical challenges posed by
this attractive and well planned programme" Elizabeth Roche - Daily Telegraph - Click here for full review |
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| BACH PARTITAS | |
| Click on the icons below to hear extracts from Robert Woolley's Chandos Recording of Bach Partita No.4 CHAN 0618 | ![]() |
| Buy this CD | |
| Click here for track information | |
| Click here to view a complete list of CDs. | |
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| CONTACTS AND LINKS |
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Robert
can be contacted by email on: |
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Link
to online catalogue of Robert's Chandos CDs |
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Harpsichord
Services of London - Claire Hammett |