"Dear Tessa,
It was lovely to hear the Bach on Loose Ends, and thank you for playing it so beautifully."Ned Sherrin
TESSA UYS
28 May 2012
Recital at St Lawrence, Jewry, Gresham St. EC2
The Brookfield Music Room Players
Marcello (trans. Bach), Beethoven and Schubert
(details under NEW section)
BIOGRAPHY The distinguished concert pianist, Tessa Uys, was born in Cape Town and made her concert debut, aged 13, with the Cape Town Symphony Orchestra. Winning a scholarship to study at the Royal Academy of Music in London with Gordon Green, she was the recipient there of the MacFarren Medal. Two periods of intensive study followed: the first under Maria Curcio and the second at the Accademia Chigiana in Siena. Returning to England, she won the Royal Overseas League Competition and subsequently took up permanent residence in London, where she still lives. During the past decades, Tessa Uys has established for herself an impressive reputation, both as a concert performer and as a broadcasting artiste, performing at many of the major concert venues in the world. She has built up an extensive repertoire, including concertos ranging from Bach to Brahms, Chopin to de Falla and Rachmaninov to Barber. Her solo piano recital repertoire is formidable, embracing the music and styles of all periods. Tessa Uys has become particularly noted for her interpretations of Schumann and Bach. Among her recordings for BBC Radio 3, she made the first broadcast recording of the 'seldom heard' Godowsky transcriptions of Twelve Schubert songs. More recently, to mark the 250th anniversary of Bach's death in the year 2000, she recorded the Goldberg Variations released as a double CD by GSE Claremont Records, and subsequently toured this virtuoso work both in Britain and abroad, to great acclaim. Tessa Uys has played under such distinguished conductors as Sir Neville Marriner, Walter Susskind, Janos Furst, Louis Fremaux and Nicholas Kraemer. She has also had the unusual privilege of working with the film producer, John Schlesinger in his film, 'Madame Sousatzka'. In 1994, she was elected an Associate of the Royal Academy of Music. Back to top
BROADCASTS Live: Concert Hall, Portland Place Schumann Schumann: Arabeske / Waldszenen Studio Recording: Maida Vale Scarlatti
BeethovenScarlatti: 6 Sonatas / Beethoven: Variations Op. 191 Studio Recording: Cardiff / BBC Welsh SO Mozart Mozart: Concerto in G major, K.453 Studio Recording: Concert Hall, Portland Place McCabe
BusoniMcCabe: Variations Op. 22 / Busoni: Carmen Chamber Fantasy Studio Recording: Concert Hall, Portland Place Beethoven
Schubert-GodowskyBeethoven: Variations on Rule Britannia / Schubert/Godowsky: 6 Song Transcriptions Studio Recording: Cardiff / BBC Welsh SO Mozart Mozart: Concerto in C major, K.467 Live: Brandon Hill, Bristol Scarlatti
Beethoven
SchumannScarlatti: 3 Sonatas / Beethoven: Variations on "Ruins of Athens" Op. 96 / Schumann: Fantasiestucke Op. 12 Studio Recording: Cardiff / BBC Welsh SO Mozart Mozart: Concerto in Bflat major, K.595 Studio Recording: Concert Hall, Portland Place Stravinsky
Janacek
BartokStravinsky: Sonata 1924 / Janacek: Sonata 1 (1905) / Bartok: Sonata Studio Recording: Concert Hall, Portland Place Mendelssohn
SchumannMendelssohn: Variations Serieuses, Op. 54 / Schumann: Humoreske, Op. 20 Studio Recording: Cardiff / BBC Welsh SO Scriabin Scriabin: Concerto in Fsharp minor Live Lunch-time Recital: Concert Hall, Portland Place Bach
Schubert
RachmaninovBach: English Suite in A minor / Schubert: Sonata in A major, D.664 / Rachmaninov: Suite from the Partita in E for Violin Studio Recording: Concert Hall, Portland Place Weber
Schumann
Schubert-LisztWeber: Rondo Brillante, Op. 62 / Schumann: Phantasie, Op. 17 / Schubert / Liszt: Sei mir gegrusst / Widmung Studio Recording: Concert Hall, Portland Place Scarlatti
Schumann
DebussyScarlatti: 3 Sonatas / Schumann: Kinderszenen, Op. 15 / Debussy: Suite, Children's Corner Cardiff / BBC Welsh SO Mendelssohn Mendelssohn: Concerto in G minor Studio Recording: Concert Hall, Portland Place Bach Bach: The Goldberg Variations Studio Recording: Maida Vale Mozart
Schubert
BeethovenMozart: Adagio in B minor, K.540 / Schubert: 3 Letzte Klavierstucke / Beethoven: Eroica Variations Studio Recording: Maida Vale Mozart
Janacek
Liszt
RachmaninovMozart: Variations, K.265 / Janacek: Sonata 1 (1905) / Liszt: Funeraillez / Rachmaninov: Etude tableau in C minor, Op. 33 No. 3 Back to top
CONCERTOS Bach Gershwin Rachmaninov Beethoven Grieg Saint-Saens Brahms Haydn Scriabin Barber Liszt Schubert/Liszt Chopin Mendelssohn Schumann de Falla Mozart Richard Strauss Back to top
RECORDINGS Click on the sleeves to hear an excerpt from each recording. These are streamed RealAudio files. To obtain a free copy of the RealAudio player, click on the icon, below:
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Claremont Digital GSE 1540
Scarlatti - Sonata in E major
Mozart - Variations, 'Ah! Vous dirai-je, Maman' and Adagio in B minor
Schubert - Drei Klavierstucke
Schumann - Kinderszenen, Op.15
Schumann/Liszt - Widmung, Op.25 No.1Ossia Classics URCD107
Schumann - Fantasiestucke Op.12
Liszt - Legende: St. Francois de Paule and Hungarian Rhapsody No.12 in C sharp minor
Prokofiev - Piano Sonata No.3 in A minorClaremont Digital GSE 1568/9
With the Goldberg Variations, Johann Sebastian Bach created one of the great monuments of musical art. The work's magisterial exploration of compositional and keyboard techniques was unprecedented. Tessa Uys recorded this double CD to mark the 250th anniversary of Bach's death in the year 2000. Claremont Digital GSE 1559
Admirer of this artist's playing will need no second bidding to acquire Tessa Uys' new CD, a finely musical and wide-ranging programme. . . cleanly and poetically projected. . .thoughtfully played with an appealing degree of intimacy. . .unerring musicianship. Musical Opinion Back to top
| NEWS and Recent Engagements | |
| Upcoming Concerts in 2012 | |
| May
and June
Recital Series at St Lawrence Jury Mondays, 1300 - 1345 |
|
| 28th May | Lunchtime Recital, St Lawrence Jewry, EC2 |
| Marcello (trans. Bach), Beethoven, Schubert (Sonata D.845) | |
| 11th June | Lunchtime Recital, St Lawrence Jewry, EC2 |
| Mozart, Beethoven, Schumann (Kinderszenen Op.15), Schumann/Liszt (Widmung) | |
| 18th June | Lunchtime Recital, St Lawrence Jewry, EC2 |
| Beethoven, Mozart, Schubert (4 Impromptus D899) | |
| 25th June | Lunchtime Recital, St Lawrence Jewry, EC2 |
| Beethoven (Tempest and Appassionata Sonatas) | |
| Reviews of the Highgate Festival 2006 | |
| At Highgate School, the South-African born pianist Tessa Uys gave an inpressive Sunday-afternoon recital. She was playing the Festival's truly grand Fazioli instrument, and it was marvellous in itself to hear Scarlatti sonatas (K380 in E, the most famous one, and the fleeting K159 in C) translated into such opulent, vibrant, decisive tones. Uys was deeply affecting in Schubert's Drei Klavierstücke, D946, which Brahms edited many years after the composer's death; and her handling of three Rachmaninov preludes was sturdy. The early Variations by John McCabe was the novelty, its felicitous virtuosity well conveyed and Liszt's notey, pummelling légende, St François de Paule marchant sur les flots, brought the programme to a rousing close. | |
| PAUL DRIVER: SUNDAY TIMES CULTURE MAGAZINE | |
| Tessa Uys' recital on Sunday in the Great Hall at Highgate School, opened with Scarlatti's Sonatas H380 and K159 and she played them with panache and authority eliciting a tonal range from her Fazioli piano that makes redundant any purist view that such sonatas be played on a harpsichord. Uys is a musician who can function in any era and her playing of Haydn's Sonata in B minor Hob HVI/32 lacked nothing by way of refinement or sense of time and classical austerity. Nor has she fears of popular repertoire, even when the demands are formidable as in Schubert's Drei Klavierstücke D946, of which the first two were quite exquisite. Contemporary music may hold some listeners in awe, but Uys has the skills to make such works as John McCabe's Variations for Piano Op.22 not only truly accessible but also an example of her prodigious technique. It was fitting that the recital should end on a robust note and Liszt furnished the ideal piece in his St François de Paule marchant sur les flots, a legend given a breathtaking performance. | |
| DAVID SONIN: HAM AND HIGH | |
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