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Raymond Warren

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Drop, drop slow tears, a sacred cantata (1960) for mezzo soprano, flute and piano - words from Luke 7 and the poem by Phineas Fletcher.

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This little cantata was written for Angela Carroll who had sung the main role in my first opera. It takes roughly the form of a baroque cantata (recit., aria, recit., aria) but reverses the traditional procedure by having the recitatives accompanied by the flute and the piano entering for the arias. The extract gives the end of the first recitative leading into its ariaPublished by Novello

Violin Concerto (1966)

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The concerto was written for Erich Gruenberg who first performed it with the BBC Northern Ireland Orchestra conducted by Terence Lovett and later with the City of Birmingham Orchestra under Hugo Rignold at the Cheltenham Festival in 1968. The first movement is accompanied by strings only.  Published by Novello

Burnt Norton Sketches for piano trio (1985)

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This was a commission for the Poezie en Muziek festival held in Louvain , Belgium and was first performed there by the Westminster Piano Trio. Each of the three movements is headed by a quotation from the T.S.Eliot poem. The extract is from the end of the first movement, 'And the pool was filled with water out of sunlight'.  Published on Sibeliusmusic

St. John Passion for T. Bar. B. solos choir and organ (1999)

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The aim was to provide a passion setting suitable for a church choir of modest ability. Spirituals are used in place of hymns or chorales and the congregation can, if desired, join in three of them. The words are adapted and modernized from the A.V. by the composer. To give more pace, phrases such as ‘and he said’ have been omitted where the identity of the speaker is obvious.  Published on Sibeliusmusic

Picasso Pictures for wind quintet (2003)

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A commission to celebrate the centenary of the Bristol Music Club in an ingeniously designed programme with works from the years 1603, 1703, 1803 and 1903. There are five movements of which an extract from the last, Bacchanal, is here quoted. The work is published by Emerson Edition Ltd., see website www.JuneEmerson.co.uk
Of Brooks and Blossoms (2004)

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Settings of eight poems by Robert Herrick for mezzo-soprano solo, SSAA choir, flute and strings. The cantata was commissioned by the Tiffin Girls’ School to celebrate their one hundred and twenty fifth anniversary in 2005 and first performed by the girls of the school with Emma Selway as soloist. The sixth movement, from which the extract is taken, is scored for just sopranos and violins.  Published on Sibeliusmusic

Bridgwater Fair, divertimento for strings on Somerset Folk Songs  (2007)

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Written for the Emerald Ensemble, directed by Roger Huckle and first performed by them in Bristol. In the first of the four movements a pompous introduction leads into the eponymous folk song on a solo violin, to be played in the manner of a folk fiddler. Published on Sibeliusmusic

Another Spring (2008)

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These five settings of poems by Christina Rossetti were written for Amanda Pitt (soprano) and David Owen Norris (piano). Lord David Cecil said of Rossetti that as a religious poet “she had faith; she had charity; she lacked hope”. This sequence of songs is intended to show that this is not quite true, though it certainly is true of this first song, Bitter for Sweet, beautiful as the poem is, beginning:

Summer is gone with all its roses
Its sun and perfumes and sweet flowers,

Published on Sibeliusmusic

Contact address: Raymond Warren, 4, Contemporis, Merchants Road , Bristol BS8 4HB
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